Nader Ahriman
Matthew Antezzo
John Bock
Tobias Buche
Hanne Darboven
Jürgen Drescher
Lara Favaretto
Stefan Hirsig
Christian Jankowski
Edward Krasinski
Ulrike Kuschel
Armin Linke
Jonas Lipps
Matt Mullican
Lisa Oppenheim
Dan Peterman
Kirsten Pieroth
Steven Pippin
Kay Rosen
Michael Snow
Vibeke Tandberg
Jorinde Voigt
Stefan Hirsig
German artist Stefan Hirsig predominantly works with paintings, collage and sculpture. His use of material
is often off-beat, and often this shows in the complex compositions in which separate elements crystalize
out of abstract forms to uncover a plethora of associations with the ambiguity of geometric, articulated stripes and distinct colour concepts. Occasionally direct quotes are picked from formal architecture or design
language and are being transferred into a new context, laying out unique trails of connections between
fragments of image, notions of sound and memory for the viewer.
In his latest works Hirsig has continued and refined his approach, characterized by sampling diverse
painting techniques and a subtle play with cultural codes, like when he is utilizing records of 1970's and
80's pop bands, or - more recently - of contemporary electronic music, drawing from the cover imagery as
well as the vinyl records themselves.
Hirsig plays with our habitual associations and ways of seeing, baffles with his highly associative titles.
His work produces an own dynamic by means of covering and uncovering, dissolving and fusion, direct
and indirect quotes.
is often off-beat, and often this shows in the complex compositions in which separate elements crystalize
out of abstract forms to uncover a plethora of associations with the ambiguity of geometric, articulated stripes and distinct colour concepts. Occasionally direct quotes are picked from formal architecture or design
language and are being transferred into a new context, laying out unique trails of connections between
fragments of image, notions of sound and memory for the viewer.
In his latest works Hirsig has continued and refined his approach, characterized by sampling diverse
painting techniques and a subtle play with cultural codes, like when he is utilizing records of 1970's and
80's pop bands, or - more recently - of contemporary electronic music, drawing from the cover imagery as
well as the vinyl records themselves.
Hirsig plays with our habitual associations and ways of seeing, baffles with his highly associative titles.
His work produces an own dynamic by means of covering and uncovering, dissolving and fusion, direct
and indirect quotes.